By Julia Kuo
This inspiring sketchbook is a part of the recent 20 methods sequence from Quarry Books, designed to supply artists, designers, and doodlers a enjoyable and complicated number of representation workouts. each one unfold positive factors 20 inspiring illustrations of a unmarried animal, reminiscent of a cat, giraffe, seal, elephant, or whale–with clean area that you should draw your tackle "20 how one can Draw a Cat."
The stylized animals are simplified, modernized, and decreased to the main easy parts, displaying how basic summary shapes and types meld to create the development blocks of any merchandise that you really want to attract. all of the 20 interpretations offers a distinct, fascinating method of drawing a unmarried merchandise. offered within the author's uniquely inventive variety, this enticing and motivational perform booklet offers a brand new tackle the area of sketching, doodling, and designing.
Read Online or Download 20 Ways to Draw a Cat and 44 Other Awesome Animals: A Sketchbook for Artists, Designers, and Doodlers PDF
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Additional resources for 20 Ways to Draw a Cat and 44 Other Awesome Animals: A Sketchbook for Artists, Designers, and Doodlers
Building Line to pn~l with Tone % Aas c p » H A. To create a gray tone, draw lines next to each other. Try this using lines of different weights with varying distances between them. B. With an HB and then a 2B pencil, quickly draw lines close together without hesitation. Then create an eien tone by moving the pencil slightly as you stroke across the paper so that no single pencil line shows. C. Quickly draw close strokes with a 4B pencil, attempting to achieve an even gray tone. Try this also with a 6B grade pencil and notice how much darker the drawing with the tone is than when harder grades.
Then do them all again, using a uhitc pencil. -* 1 Exercise J. Creating Tones 2 I *n>* ittV f A. Practice drawing a simple object or objects sucb as this creating all your tones with only lines Don't attempt to blend any of the lines I 'x an I IB graphite pencil on smooth bristol paper Small diagrams of various types of strokes accompany each sketch still life, B. On smooth bristol, draw charcoal pencil This time smooth and blended the same try to object with a 2B keep your tones fairly C. Now draw the same object using a soft charcoal stick.
Step 5. / sea in the added a tone to the background using 4B grade charcoal pencil More dark tones were drawn in the cliff to build up a soft toeform. All these tones were blended smooth with a rag Bletulmg obarcoai tones can also be accomplished by using soft facial tissue or even yourfinger J rendered the grassy area on top of the cliff, using the same -IB grade more pencil, but with pressure, to produce a near-black tone Step 6. / sharpened tlx- 4B grade pencU, then shaped the point finely with a sanding fxui and carefully drew in darker areas on the Clouds I blended these the strokes together as I dreu so tlxy are quite smooth When a kneaded eraser is property shaped, it can be used to lift out areas in tlx- gray tones With a kneaded eraser, I carefully erased tlx- pure white areas you see tlx' m rocks and details such as and highlighted areas from tte side cloiuls of the cliff on Step 7.