By Fredric Jameson
The ideas of modernity and modernism are among the main debatable and vigorously debated in modern philosophy and cultural thought. during this intervention, Fredric Jameson--perhaps the main influential and persuasive theorist of postmodernity--excavates and explores those notions in a clean and illuminating manner.
The impressive revival of discussions of modernity, in addition to of latest theories of creative modernism, calls for consciousness in its personal correct. it sort of feels transparent that the (provisional) disappearance of choices to capitalism performs its half within the common try and revive ‘modernity’ as a social excellent. but the paradoxes of the concept that illustrate its valid heritage and recommend a few ideas for fending off its misuse as well.
In this significant interpretation of the challenging, Jameson concludes that either strategies are tainted, yet still yield clues as to the character of the phenomena they alleged to theorize. His sensible and vigilant probing of either terms--which can most likely now not be banished at this past due date--helps us make clear our current political and creative situations.
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Extra resources for A Singular Modernity: Essay on the Ontology of the Present
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That is, it must be the case, if this analysis is to be at all meaningful, that recipients hear the difference between these two types of moves and, perhaps more importantly, that speakers produce their utterances so as to display whether they are of one or the other type. I would like to argue here that speakers do indeed build their utterances to display the level of structure at which they fit in: the "unmarked" level is the immediately preceding sequence; special techniques are used to indicate that the utterance returns to a superordinate adjacency pair.